Behringer BEHRINGER XENYX XL2400 Live Mixer with XENYX Mic Preamps and British EQs

Premium 24-Input 4-Bus Live Mixer with XENYX Mic Preamps and British EQs Ultra-low noise, high-headroom analog mixer for live, front-of-house, monitor, corporate and touring audio applications 20 state-of-the-art XENYX Mic Preamps plus 4 stereo Line inputs with ultra-high RFI suppression designed for live application Neo-classic "British" 4-band EQs with 2 semi-parametric mid bands for warm and musical sound 4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A 6 Aux sends per channel: 4 pre/post fader switchable for flexible routing Channel inserts and direct outputs on each mono channel Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, Subgroup and Main routing switches on all channels 2 multi-functional stereo FX returns with comprehensive routing options 2 Headphone and Speaker outputs with selectabe Main/CD/Tape inputs Solo-In-Place with PFL/AFL function plus full-featured Talkback section Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal autorange power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany.British EQ is a smashing thing to have on your side when you start reaching for those channel equalization knobs at a live concert or in the studio.The EQ’s on British consoles from the 60s and 70s are what many engineers believe does their sound the best justice. When it comes to tweaking your sound, they’re kind, gentle and above all, musical. It’s like drinking a fine scotch instead of fortifi ed wine—or maybe receiving a warm hug instead of a kick to the crotch.British EQ’s distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.